The New Orleans Musicians’ Village: Providing Hope and Preserving a Culture

The New Orleans Musicians’ Village

The Musicians’ Village in New Orleans is part of the post-Katrina rebuilding effort, which has been designed to both construct a community and preserve a culture.  Conceived by New Orleans natives Harry Connick, Jr. and Branford Marsalis, The Musicians’ Village will provide a home for both the artists who have defined the city’s culture and the sounds that have shaped the musical vernacular of the world.

Harry Connick, Jr.: All These People

The New Orleans Musicians’ Village is Born

The core idea behind Musicians’ Village is the establishment of a community for the city’s several generations of musicians and other families, many of whom had lived in inadequate housing prior to the catastrophe and remain displaced in its aftermath.  A central part of this vision is the establishment of a focal point for teaching, sharing and preserving the rich musical tradition of a city that has been done so much to shape the art of the past century.  The Musicians’ Village is being constructed in the Upper Ninth Ward, where an eight-acre parcel of land was initially selected for the construction of 72 single-family homes built by volunteers, donors, sponsors and low-income families.  As of September 2007, all 72 homes have either been completed or are under construction.

Harry Connick Jr. Describes The Musicians’ Village

In one of the project’s innovative features, Musicians’ Village will also provide elder-friendly duplexes for the senior members of the community, and, as of September 2007, drummer Bob French and guitarist Little Freddie King, have moved into their apartments.  Another important innovation in the Musicians’ Village effort is the inclusion of the Ellis Marsalis Center for Music, named in honor of the New Orleans native and legendary jazz pianist, educator and patriarch of the Marsalis clan.  Focusing on the ethnically and culturally diverse musical heritage of the city, the Ellis Marsalis Center will include a 150-seat performance space with state-of-the-art lighting and sound.

The Center will also support the growth of emerging New Orleans talent and music by providing classrooms, technical and administrative support, and producing the accomplishments of its students.  These facilities will be available for residents of Musicians’ Village as well as artists and students citywide.  Because of the Center’s unique physical setting within the Musicians’ Village, it will attract an exceptional group of students and teachers devoted to revitalizing the vibrant music scene in the Crescent City.

On September 13, 2007, the ground breaking ceremony for the Center was marked by a musical celebration featuring Ellis, Harry and Branford in performance with several musician residents of the Village.  The Musicians’ Village has proven to be the leading example of how a meaningful vision and focused efforts can provide immediate relief as well as long-term hope for the survival of a great city and many of its most essential citizens.

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2 Responses to “The New Orleans Musicians’ Village: Providing Hope and Preserving a Culture”

  1. Anthony D. Says:

    I LIVE IN MONTREAL, QC, CANADA AND HAVE BEEN TRYING TO PROMOTE LOUISIANA CULTURE IN MY REGION, EVEN PRIOR TO KATRINA. SINCE KATRINA, I’VE BECOME A BIGGER FAN AND SCHOLAR OF LA CULTURE, WHILE PARTICIPATING IN SMALL FUND-RAISERS. I’M NOW TRYING TO LAUNCH ONE OF MY OWN, IN THE FORM OF A CABARET/DANCE PARTY, WITH A LOCAL BAND, ALONG WITH DEE-JAY, PLAYING LA MUSIC. I THINK THE ROOT PROBLEM TO ADDRESS IS THE NEAR-ANONYMITY AND LACK OF EXPOSURE OF LA MUSIC, MUSICIANS, CULTURE AND POST-KATRINA STATUS IN MANY PARTS OF NORTH AMERICA, INCLUDING MY REGION. I’M TRYING TO SOLVE THESE ISSUES ON MY OWN. DO YOU HAVE ANY IDEAS OR REFERRALS? THANK YOU.

  2. jemoagogDex Says:

    Thnx!
    It has very much helped me!


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