Train of Thoughts: A Languorous Ballet of Motion

Train of Thoughts: A Languorous Ballet of Motion

The tableau of the landscape racing past a train’s window can be in concert hypnotic, nurturing and energizing. Every display of the scenery alfresco seems to be vigorously animated simply by the train’s speed. The optical illusion of the closer objects appearing to move faster than the farther objects creates a ballet of motion perspective. Power lines along the tracks can seem to undulate urgently, while distant buildings glide by with elegant languor. A train that passes by from the opposite direction becomes a soaring and dreamy blur of motion.

Capturing video impressions now can be as spontaneous as writing or drawing. This animated film was shot with a digital still camera in the “movie mode” and it’s remarkable that nowadays something as small as part of a bar of soap can produce motion pictures. It is a notebook for the eyes or a kind of external memory hard drive with stereo sound, simultaneously both a way of seeing and remembering. The music was composed by Shay Lynch, an arrangement of 15 tracks of his guitar playing, which is an ideal evocation of the film’s trance-like quality, while also leaving you the liminal space to follow your own train of thoughts.

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The Animated Life: Train of Thoughts

Animation by: Jeff Scher

And Deeply Wishing to Further Evoke a Sense of Calm for You:

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A Beautifully Calming Island Sunset

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Dylan Wins Pulitzer Prize: A Solitary and Beautiful Mind

Dylan Wins Pulitzer Prize: A Solitary and Beautiful Mind

I paid the price of solitude
But at least I’m out of debt.

Bob Dylan, Dirge

Bob Dylan Named a Pulitzer Prize Winner

Bob Dylan was named a Pulitzer Prize Winner on Monday, April 7, 2008. A Special Citation was awarded to Dylan for his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.

Bob Dylan: i Is Another

I’m Not There is a visionary rendering of Dylan’s life and music that is as bold as possible, while never pretentious. It takes Dylan’s songs and the biographic details that we know of his life and mashes them up. Fevered interpretations resonate against one another to create an experience that is more like tumbling within the whirlpool of one of Dylan’s kaleidoscopic songs than watching anything remotely like a biographical movie. At its best, which is quite often, I’m Not There summons the sensation of what it must have been like to live in Dylan’s skin at crucial moments in his life. Simultaneously, the film makes it undeniable at every moment that you are watching a cinematic interpretation of “Dylan,” not the man himself.

At a certain point, Dylan as a solitary figure, extraordinarily beautiful and yet so alone, seems to hold the essence of I’m Not There, which takes its name from a song that is also, almost, “not there.” Toward the end of the movie we hear that song, which Dylan recorded with the Band in the summer of 1967. Its half-finished lyric is impenetrable and exquisite. Dylan’s delivery is garbled yet assertive, peppered with made-up words and seeming disconnections that ultimately shape themselves into a whole that’s both elusive and achingly complete. Regardless of how much you may already know about him, I’m Not There deepens and humanizes your understanding of Dylan.

A Bob Dylan Tribute: I’m Not There

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