The We Are the Ones Project: Portraits of Americans Standing for Change

We Are the Ones Project: Portraits of Americans Standing for Change

Photography by: Rob Gullixson and Rachel Casparian

The We Are the Ones Project

The We Are the Ones Project is a photographic essay documenting the enthusiasm and diversity of Obama supporters across the country. Specifically, it highlights average citizens and grassroots communities as the real stars of this campaign, by giving them a celebrity-style photo shoot at Obama events. Selected portraits will be exhibited in a New York gallery show and eventually published in book form along with Stories of Change written by the portrait subjects themselves.

Much has been made of the historic nature of Obama’s presidential candidacy, and even of the unprecedented individual and grassroots support for his campaign. What has not been documented, however, are the faces of the individuals themselves and the specific reasons behind their passionate participation in this process. This project hopes to honor ordinary citizens who are coming forward, not only to endorse Barack Obama, but also to stake a claim to the future of this country through their own personal and communal actions.

We Are the Ones Project: Portraits of Americans for Change

Music Audio: We Are the Ones:

Portraits of Americans Standing for Change

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Chicago’s Studs Terkel Dies at 96: A Champion of the Human Spirit

Chicago’s Studs Terkel Dies at 95: A Champion of the Human Spirit

NBC News: Chicago’s Studs Terkel Dies at the Age of 96

Studs Terkel Dies: Let Us Now Praise Famous Men

The New York Times has reported that Chicago’s legendary Studs Terkel, the Pulitzer Prize-winning author whose searching interviews with ordinary Americans helped establish oral history as a serious genre, and who for decades was the enthusiastic host of a popular nationally syndicated radio show on WFMT-FM in Chicago, died Friday at his home there at the age of 96.

In his oral histories, which he called guerrilla journalism, Mr. Terkel relied on his effusive but gentle interviewing style to bring forth in rich detail the experiences and thoughts of his fellow citizens. For more than the four decades, Studs produced a continuous narrative of great historic moments sounded by an American chorus in the native vernacular.

Division Street: America (1966), his first best seller, explored the urban conflicts of the 1960s. Its success led to Hard Times: An Oral History of the Great Depression (1970) and Working: People Talk About What They Do All Day and How They Feel About What They Do (1974).

Mr. Terkel’s book The Good War: An Oral History of World War II won the 1985 Pulitzer Prize for nonfiction. In Talking to Myself: A Memoir of My Times (1977), Terkel turned the microphone on himself to produce an engaging memoir. In Race: How Blacks and Whites Think and Feel About the American Obsession (1992) and Coming of Age: The Story of Our Century by Those Who’ve Lived It (1995), he reached for his ever-present tape recorder for interviews on race relations in the United States and the experience of growing old.

In 1985 a reviewer for The Financial Times of London characterized his books as “completely free of sociological claptrap, armchair revisionism and academic moralizing.” The amiable Mr. Terkel was a gifted and seemingly tireless interviewer who elicited provocative insights and colorful, detailed personal histories from a broad mix of people. “The thing I’m able to do, I guess, is break down walls,” he once told an interviewer. “If they think you’re listening, they’ll talk. It’s more of a conversation than an interview.”

Readers of his books could only guess at Mr. Terkel’s interview style. Listeners to his daily radio show, which was first broadcast on WFMT-FM in 1958, got the full flavor as Studs, with both breathy eagerness and a tough-guy Chicago accent, went after the straight dope from guests like Sir Georg Solti, Muhammed Ali, Mahalia Jackson, the young Dob Dylan, Toni Morrison and Gloria Steinem.

Now that the author-radio host-actor-activist and Chicago symbol has died, what should be his epitaph? “My epitaph will be ‘Curiosity did not kill this cat,'” he once said.

The entire New York Times article can be read here.

Rick Kogan has written a detailed article in The Chicago Tribune, which can be read here.

Studs Terkel’s website at The Chicago Historical Society can be accessed here.

Studs Terkel’s (1970) WFMT-FM radio interview with me (Patrick Zimmerman) can be heard here. Parts of this radio interview later become a selection (pp. 489-493) in Terkel’s acclaimed book, Working:

Audio: Part I of The Radio Interview

Audio: Part II of The Radio Interview

Studs Terkel: Remembering His Life and Times

Conversations about Studs Terkel (2004)

Studs Terkel: About the Human Spirit (2002)

Studs Terkel: The Pioneering Broadcaster

Music Audio: Mavis Staples/Hard Times :

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