Musical Poetry of the Dark Unconscious: Scott Walker’s “Epizootics!”

Musical Poetry of the Dark Unconscious: Scott Walker’s “Epizootics!”

“A man’s work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened.
-Albert Camus

Epizootics! is the new ten-minute short film/music video recently premiered by avant-garde musical mastermind Scott Walker, a track from his forthcoming album Bish Bosch. Walker has accomplished the near impossible, showcasing an album that’s more ambitious, experimental and surreal than anything he’s created before. This first taste from his upcoming album is filled with dramatic artistry and shows promise that Bish Bosch will be considered one of the most thought-provoking albums released in years.

For those not familiar with Scott Walker’s work, Walker has been described as one of the greatest living avant-garde artists, with hardly any other American musician having had greater influence upon rock music, while at the same time remaining almost completely unknown to his countrymen. Walker grew up in Texas, New York City and Southern California, but he became a celebrity in England during the mid-1960s as part of the Walker Brothers band. The Walker Brothers was a vocal trio, which wed soaring vocal harmonies, lush soundtrack arrangements and a patently somber worldview into a uniquely theatrical package.

Scott Walker’s voice has been described as perhaps the most beautiful male non-soul voice of that era, and an increasingly free-thinking “Beat” attitude was at the core of the group’s appeal. Although the Walker Brothers became huge in Europe, Scott Walker’s eccentricity cast a dark cloud over the band’s public image. Scott began to write increasingly complicated interlaced music, and its sense of bleakness was intensified by his mix of translated Jacques Brel tunes with distinctly arty and pained original numbers. By 1969, his works were failing to appear on music charts at all.

An increasingly elusive Scott Walker slowly withdrew from public view. His voice began to lose some of its former pop-music sense of majesty, a reflection of his new interest in the experimental synth-driven avant-garde, which he helped revolutionize to major critical success, but only minor public attention. Walker seemed to vanish, while artists as diverse as David Bowie, Brian Eno, Julian Cope, Bryan Ferry, Ultravox and Marc Almond became fiercely ardent supporters of his unique body of work, citing him as a primary influence on their careers. Gale Harold (the actor in Queer as Folk) served as an Associate Producer, along with David Bowie as Executive Producer, of the acclaimed 2006 documentary about the influential artistic vision of Walker’s experimental musical work, Scott Walker: 30th Century Man.

Musical Poetry of the Dark Unconscious: Scott Walker’s “Epizootics!”

Scott Walker: 30th Century Man

Scott Walker is celebrated as an influential musical visionary by a roster of superstars, including Jarvis Cocker, Damon Albarn, David Bowie and Brian Eno. The enigmatic and notoriously shy former pop idol is the subject of Scott Walker: 30 Century Man, the revealing 2006 documentary by Stephen Kijak. Walker was born in Ohio and sang with Fabian on television as a teenager. However. after achieving immense popular fame in England as the lead singer of the boy band The Walker Brothers, he has lived mostly in seclusion, while creating avant-garde compositions and releasing critically acclaimed, idiosyncratic albums.

Scott Walker: 30th Century Man

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Don’t Hug Me I’m Scared: A Horrific Bloody Mess!

Don’t Hug Me I’m Scared: A Horrific Bloody Mess!

Don’t Hug Me I’m Scared is a finalist in The Wrap’s 2012 Short Films Festival, a new festival presenting 12 award winning short films selected from this year’s top international film festivals. Don’t Hug Me I’m Scared screened at the 2012 Sundance and 2012 Sundance London Film Festivals and the 2012 SXSW Film Festival, where it received the SXSW Midnight Jury Award.

Don’t Hug Me I’m Scared is a wonderfully bizarre three-min. animated short film created by Becky Sloan and Joseph Pelling from the London-based This Is It Collective. The short begins innocently enough, with a small cast of sort-of identifiable characters sitting around a table and sing-talking about being “creative.” Then again, it looks like a rather lame children’s video, telling kids how to do what they do really naturally anyway, use their imaginations. But suddenly, it turns into a extremely disturbing free-association sequence, hinting at some very bleak psychological states, more like Black Swan than Sesame Street.

The filmmakers zero in on adult insecurities about self-expression, then delve into the perils of creativity. Such dangers quickly lead to terrifying glitter-covered animal organs (real, bloody ones, not made from the felt everything else in this video is made of), seizures and death. But just as quickly as the characters are served a gory meat cake, everything goes back to normal. And, just like any other children’s television show, the lesson learned is repeated at the end of the segment. And just what is that lesson? Never, never be creative. Unless you want to die.

Watch this video to the very end and you won’t regret it. Or will you?

Don’t Hug Me I’m Scared: A Horrific Bloody Mess!

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