Coney Island’s Grand Past: A Requiem for an American Icon

Coney Island’s Grand Past: A Requiem for an American Icon

Coney Island is nearing its final days, swirling ever-more deeply into a dismal state of disrepair.  Soon the bulldozers will be back again, pushing over the last weathered links to the past, spelling the demise, once and for all, of the city’s most iconic neighborhood.  Coney Island was always a place where you could drink beer, “shoot a freak,” see a geek, see a burlesque show, see fish, catch fish, eat fish, ride the Cyclone, ride the waves, win a kewpie doll, play Skee-Ball, go to a ballgame, see a band and lie on the sand.  It was the last stand of the morally doubtful, the last place where one could feel the openness and energy of New York City in the 1970s, but stripped of the accompanying dread of crime and decay.

Now the city administration and wealthy developers have set into motion their master plans to rescue everyone from all of that, constructing at least four luxury hotels as high as 30 stories tall and as many as 26 residential towers to house wealthy residents paying top dollar for their condos.  The real tragedy of Coney Island’s destruction is one that carries a much broader social message, it symbolizes the devastation of what had been since the mid-1800s a haven for waves of immigrant peoples, for the poor and for those who have been forced to exist on the outer-margins of society.  And that is the real catastrophe.

Bruce Gilden: Coney Island’s Darkly Humorous Scenes and Characters

The Spectacular Coney Island in 1940: A Documentary

Bob Dylan: Beyond Here Lies Nothin’

Lou Reed: Coney Island Baby

Slide Show: Coney Island’s Grand Past/A Requiem for an American Icon

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Andy Warhol and Friends: On Set and Back Home

Andy Warhol and Friends: On Set and Back Home

Andy Warhol and Friends

Andy Warhol and Friends is a new collection of photographs of Andy Warhol and his circle of friends.  In this extensive set of photographs, Warhol and his film crew shoot the 1968 Lonesome Cowboys movie in the hot Arizona desert, and other images capture Andy and his sidekicks posing and generally acting very “artsy-campy” well into the 1980s.

“Warhol’s Cinema” from The Factory: 1963-1968

Warhol’s Cinema is a 1989 BBC-TV Channel 4 documentary about a number of films made Andy Warhol in the 1960s.  During the five year span of his obsession with films, Warhol made more than 50 films between 1963-1968.  Most of his movies were 16-millimeter films and included Chelsea Girls, Empire, Sleep, Kiss, My Hustler and Lonesome Cowboys.  He made many of the films in his mid-town studio, known as The Factory, where the young people in his offbeat cortège, alternately beautiful and bizarre, spent much or most of their time.  That group of followers included, among many others, Baby Jane Holzer, Gerard Malanga, Paul America, Holly Woodlawn, Joe Dellasandro, Chuck Weir and Edie Sedgwick.

Andy Warhol’s Cinema: A Mirror to the Sixties

Andy Warhol: A PBS American Masters Documentary (2006)

Slide Show: Andy Warhol and Friends/On Set and Back Home

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