Toy Stories: Home Is Where We Start From

Maud: Kalulushi, Zambia

Julia: Tirana, Albania

Tangwizi: Keekorok, Kenya

Reanya: Sepang, Malaysia

Stella: Montecchio, Italy

Chiwa: Mchinji, Malawi

Toy Stories: Home Is Where We Start From

Photography by: Gabriele Galimbert

Toy Stories, by Italian photographer Gabriele Galimberti, captures a number of young children’s lives through their prized toys, artfully arranged around them in the homes where they live. It’s an intimate and revealing look at the world’s diverse cultures as experienced by children.

Toy Stories is the kind of work that traverses many levels: it’s a study in photography, socio-economic situations, anthropology and finally, childhood. To the extent that a child’s toys are viewed in terms of a means of play, their use as transitional objects opens pathways to the capacity to be alone and distinctions between “me” and “not-me,” as well as the use of illusion, symbols and objects later in life.

Years later, they will walk out from home looking for the world. For many, an optimistic idealism will witness the real world’s cruelties and heartbreaks, and yet some will find much room for hope.

Toy Story 3: Trailer

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Photo-Gallery: Toy Stories: Home Is Where We Start From

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The Adventures of a Cardboard Box: Humorous Play and Melancholy Loss

The Adventures of a Cardboard Box: Humorous Play and Melancholy Loss

The Adventures of a Cardboard Box is a fascinating short film by English illustrator and filmmaker Temujin Doran, which was named a finalist in the 2011 Nokia Shorts Video Contest. Thousands of videos from around the world were submitted and judged over a four month period, and from those seven films were selected as finalists. The seven finalists were screened and judged at the 2011 Edinburgh International Film Festival.

Temujin’s short film has been described rather simply as the story of one boy’s escapades with a large cardboard box, which he uses as a gateway to a multitude of fantasy adventures. The film is, of course, much more than that; it is no accident that Temujin cited the Calvin and Hobbes comic strip as the main inspiration for his film. As with the major underlying theme of Calvin and Hobbes, this film can be viewed as a contemporary narrative about one young boy’s uses of a transitional object in his play and illusions as explorations of ideas about identity and the self. Ultimately, the film becomes a perfect combination of humor and melancholy loss.

The Adventures of a Cardboard Box: Humorous Play and Melancholy Loss

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