Visions: Tim Hetherington’s Theater of War

Visions: Tim Hetherington’s Theater of War

Visions: Images of Libya from a Fallen Photographer

Last week, an upcoming gallery show of work by the late photographer Tim Hetherington was announced, the inaugural exhibition of The Bronx Documentary Center that was founded earlier this year. The exhibition, titled Visions, is a collection of never-before-seen photos by Hetherington, a British-American photographer who lived in Brooklyn. He was a longtime Vanity Fair contributor who died in April while covering the conflict in Libya, along with fellow conflict photographer and Brooklyn resident Chris Hondros.

It is amazingly ironic that the announcement of the exhibition of Tim Hetherington’s work coincided precisely with published reports that Col. Muammar el-Qaddafi, the erratic, provocative dictator who ruled Libya for 42 years, had finally met a violent and vengeful death in the hands of the Libyan forces that drove him from power.

Hetherington was most famous for his Academy Award-nominated 2010 documentary Restrepo, which he filmed with Sebastian Junger in 2007. The film follows the Army platoon assigned to what was then the most dangerous posting in Afghanistan, The Korengal Valley, to clear it of insurgents and gain the trust of the local populace. In the course of the film, the platoon builds a new outpost they name after Juan Sebastian Restrepo, a comrade who was killed during the early days of the 15-month assignment.

On April 20, Hetherington was trailing rebels in the besieged coastal city of Misurata in Libya, when he and Hondros were killed in an explosion from a rocket-propelled grenade. He left behind 40 rolls of undeveloped 220mm film. The negatives revealed a fascinating mix of what Tim called “the theater of war,” men strutting with their guns, as well as landscapes, graffiti, and men firing guns and rocket-propelled grenades in battle. And a vase of plastic flowers in a bullet-marked room. Seventeen of the prints will be on display in the Bronx Documentary Center show as 36- by 30-inch prints hanging from the ceiling on two large wood panels, beginning October 22nd.

Tim Hetherington: Always a Few Steps Ahead

Long Story Bit by Bit: Liberia Retold

Award-Winning Photographer and Film Director Tim Hetherington Killed in Libya

The Death of Award-Winning Photographer Tim Hetherington

Oscar-nominated documentary-maker Tim Hetherington, co-creator of the Sundance-winning documentary Restrepo, was killed in the besieged city of Misurata covering fighting between Muammar Gaddafi’s forces and the opposition. A British citizen who lived in New York, Hetherington had covered conflicts with sensitivity in Liberia, Afghanistan, Darfur and, in recent weeks, Libya. Hetherington was in Libya to continue his multimedia project highlighting humanitarian issues during times of war and conflict.

Photo-journalist Chris Hondros, a US Pulitzer finalist who worked for Getty Images, was also killed. Hetherington and Hondros were among eight to 10 journalists reporting from Tripoli Street in Misrata. When shooting broke out, they took shelter against a wall, which was hit by fire. Hetherington died soon after arriving at hospital. Hetherington wrote in his last post on Twitter on Tuesday: “In besieged Libyan city of Misrata. Indiscriminate shelling by Gaddafi forces. No sign of NATO.”

Restrepo won the 2010 Grand Jury Prize for Documentary at Sundance, and was a 2011 Oscar Nominee for Best Documentary, Features. The movie is a stunning chronicle of one U.S. platoon, which was posted in one of the most dangerous valleys in Afghanistan. The film was made as part of Hetherington’s ongoing mission to bring the hardships of war into the public eye.

Diary is one of Hetherington’s most recent works, a documentary short film that presents a dreamlike composition of insightful juxtapositions about his war experiences, composed of carefully conceived montages and almost inchoate sounds. It is similar in spirit to his impressionistic documentary short Sleeping Soldiers of 2009.

Viewers can read more about Tim Hetherington in The New York Times here.

Restropo: 2011 Nominated Oscar Best Documentary, Features (Trailer)

Tim Hetherington’s Disquieting ‘Diary

Tim Hetherington: Sleeping Soldiers

Photo-Gallery: Visions/Tim Hetherington’s Theater of War

(Please Click Image to View Photo-Gallery)

Please Share This:

Share

Rooms: The Secret Life of Things Behind Closed Doors

The Dining Room of William F. Buckley’s Apartment on Park Avenue and 73rd Street, Where Buckley Entertained

The $30,000 a Night Bathroom at The Four Seasons Hotel Discreetly Deluxe Ty Warner Suite

Room 4, the Very Private Personal Shopping/Dressing Room at Bergdorf Goodman

The Backstage Quick-Change Room for Actors in “The Lion King” at the Minskoff Theater

The Clowns Private Room (Clown Alley), Ringling Brothers and Barnum & Bailey Circus at Madison Square Garden

A House Halfway to Hades: A Cramped Flophouse in the Bronx

A Garment Business Sweatshop in New York City’s Garment District

Inside the Dancers’ Private Dressing Room at Larry Flynt’s Hustler Club

The Pleasure Grottoes at a Brooklyn Swinger Sex Club, Where the Outré Meet the Ordinary

Rooms: The Secret Life of Things Behind Closed Doors

Photography by:  Fred R. Conrad, The New York Times

A traveling barfly finds himself in a small town near the border and entertains the locals at the tavern one night with amazing tales of his adventures.  This barfly has been everywhere, of course, and makes a great impression, especially on a young man of romantic nature who, alas, is rather poor.

Early the next morning, the young man turns up at the traveler’s room, eager to thank him for the words of inspiration he heard the night before.  But the barfly seems distracted and, as he pours himself the first drink of the day, he turns and says: “Please, sir. If you really want to help, tell me where I am, not what you learned.”-Alan Feuer, The New York Times

The Secret Life of Things Behind Closed Doors

New York City, as in other large cities like Los Angeles or Chicago, is a city of rooms, a city where  many secret things occur behind closed doors.  Who knows what mysteries are even now unfolding inside the apartment in that very ordinary-looking building on the corner of 38th Street and Seventh Avenue or, for that matter, who knows what’s happening in the apartment right next door to it?

The guiding concept of this series of photographs by Fred Conrad entitled Rooms, was to visit rooms inside of places about which you may never have thought, or even if you’ve imagined what they’re like, you’ve probably never actually been there.  The photographs capture a wide range of social and economic levels of life in New York City, including: scenes at a sweatshop, a sex club, the dressing-room in a stripper-club, a morgue in Harlem, New York City’s Office of the Mayor, the behind-the-scenes kitchen of a fancy-gourmet restaurant, super-elegant bathrooms and even a bowling alley in the basement of the Frick Museum of Art.

The framework of the project was fairly simple the whole time: to look at the interiors of rooms in the city and, from that very small perspective, to attempt an exploration of the rich fabric of New York.  And the year-long project confirmed that New York City-as is the case with other large urban centers-is a city of rooms in which the  really good stuff always tends to happen clandestinely behind closed doors.  Nevertheless, this little photographic project has merely scratched the surface of the city’s mysterious life behind closed doors.  One can imagine repeating a project like this in a few years when a large number of the rooms will have changed dramatically, which of course they will.

The Control Room of the “Today” Show, Where a Dozen Behind-the-Scenes Staff Members Keep the Show Afloat

Slide Show: Rooms/The Secret Life of Things Behind Closed Doors

(Please Click on Image to View Full-Screen Slide Show)

You can read more about the Rooms photographic project here.

Please Share This:

Christmas in New York: A Miniature New York City Through a Looking Glass

Christmas in New York: A Miniature New York City Through a Looking Glass

The Holiday Train Show, at the New York Botanical Garden in the Bronx, is in its 17th year. Sitting like islands in a warm pool in the central palm gallery at the New York Botanical Garden are two landmarks that welcomed early-20th-century immigrants to Manhattan: the main building of Ellis Island and the Statue of Liberty. They seem appropriate here in the Bronx too, at the entrance to the annual Holiday Train Show, because this exhilarating exhibition makes you feel a little like an alien visitor just coming ashore; everything familiar is skewed and strange in the fragrant, humid air.

Lush tropical plants surround these classic gateways to New York’s harbor. The stonework of Ellis Island’s building is made from elm bark. Its window mullions are formed from winged euonymus twigs. Its decorative eagles are constructed using alder cones and cloves. The roof is made with gourds, date vines and acorns. And Lady Liberty is draped in palm leaves and grasses, her torch a dried monarch flower embedded in half a pomegranate. The landmarks are as botanical as the surroundings.

The sounds of exclamations of amazement uttered by fellow immigrants, young and old, are accompanied by the steady whir of 14 electric trains and streetcars that run in loops around the city’s fancifully scrambled geography. It’s New York through a looking glass or, perhaps, through the eyes of a dizzied newcomer who fits pieces together according to sensation rather than location.

Read more here.

Please Bookmark This:

%d bloggers like this: