My Faves for Saturday, December 08, 2007

“Photos of the Day: Vintage Christmas “Found Photos.” This is a set of vintage Christmas “found photos.” They range from the humorous, to the downright strange. My personal favorite is “The Most Unfortunate Midnight Mass Ever.”

For a good chuckle, take a look at these. Best wishes and Happy Holidays to all!!

[tags: Photos of the Day, vintage Christmas photos, photographs, Christmas, Xmas, Santa Claus, Santa, hoiidays]

 

“There are times I worry about what happens to our country,” Oprah Winfrey said, addressing a sea of people in an 80,000 person capacity stadium in South Carolina. “For the very first time in my life, I feel compelled to stand up and speak out for the man who…has a new vision for America.”

Includes photographs and the video of Oprah’s speech.

[tags: Oprah Winfrey, Barack Obama, Oprah campaigns for Obama, celebrities, politics, photographs, video, South Carolina]

 

This is an animated film by Jeff Scher, a portrait of his son from infancy until he was a few years old. The film came from the notion that his son wouldn’t remember these years. The more Scher drew, the more he realized that he didn’t recall them clearly either.

The article includes colorful prints, as well as the animation video. Enjoy!!

[tags: art, photographs, animation, video, animation video, music, music video, children]

See the rest of my Faves at Faves

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An Oedipal Storyline: You Won’t Remember This

The Animated Life: You Won’t Remember This

Jeffrey Scher is an artist who is fascinated with vision, in particular the persistence of vision, the ability of the human mind to create the illusion of movement from disparate images. The New York-based filmmaker defines himself not as an animator, but rather as a painter working in motion. Scher’s montages, or “collisions” of visuals and sound, are dizzying arrays of color, light, figures, and forms that flit about like unruly thoughts, tricking the eye and revealing unexpected visual harmonies.

You Won’t Remember This is a piece that was inspired by his 18-month-old son, a rotoscoped re-creation of the evolution of vision during the first years of life. “I’ve tried to reproduce those early primal visuals from the infant’s point of view,” he has said, “by examining the way optical focus and color perception develop, and how the figurative and the abstract blur together and get sorted out over time.”

The film is a portrait of his son, Buster, from his first week of life until he was a few years old. The film came from the impression that Buster wouldn’t remember these years, as, indeed, he doesn’t seem to, but the more Scher drew the more he realized that he didn’t remember them as clearly as he thought he would, either. From Scher’s perspective, there is something about the omnivorous now in parenting, the constantly shifting challenges and demands of the moment, that creates a kind of rolling amnesia for everything yesterday. This film is an attempt to hold onto some of these moments and also to share them with Buster, who is now an articulate, opinionated, sugar- and movie-obsessed seven-year-old.

Scher’s work is in the permanent collection of the Museum of Modern Art in New York. He’s always searching for new ways of seeing. “How images layer up on the eye and the relationship between image and afterimage are triggers for powerful emotions,” he’s observed. “I want to make people feel, so I create aesthetic meals for the eyes.”

You Won’t Remember This

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