A Soldier’s Heart: Let There Be Light

Post-Traumatic Stress Disorder (PTSD) is the invisible wound that scars war veterans, and some individuals are so afflicted that they die physically or psychologically from this traumatic wound through suicide, homicide or incurable psychosis. In 2012, this disorder is recognized and understood in ways it never was before, making it more possible for traumatized men and women to get the help they need. However, war-related PTSD certainly isn’t new, and when the 20th century and its technological might ushered in massively brutal, worldwide conflicts that buried forever idea of a “gentleman’s war,” it also drastically increased the psychological pressures on combat troops. Motion pictures have been used to document the many aspects of war. Over the years, the United States government has commissioned a number of documentaries that look at soldiers returning from theaters of war, as they attempt to reintegrate into the society they left behind.

Perhaps the most famous documentary about returning soldiers is the 1946 film Let There Be Light by the acclaimed filmmaker John Huston, who considered the film to be one of his best movies. However, its fame derives mainly from being kept hidden for 35 years after it was made, by a War Department uncomfortable with the notion that there is any lasting downside to war for the returning veteran. The War Department was so uneasy about this documentary that it had the film remade as Shades of Gray, a propaganda docudrama based on Let There Be Light, which not only eliminated African-American soldiers from the cast, but also suggested that only soldiers who were disturbed before they went to war broke down upon their return.

Film history isn’t the only context in which to appreciate Huston’s hour-long documentary, his third and final film for the Army Signal Corps. Let There Be Light is also one of the earliest commercial depictions of psychotherapy, in this case the military’s use of it to treat what we now call Post-Traumatic Stress Disorder. The U.S. military now offers a wide array of pre- and post-battle therapies to help soldiers recover from traumatic experiences. In contrast, Let There Be Light’s gruff doctors, who inject sodium amytal and conduct religious group therapy sessions, look prehistoric by comparison.

Nevertheless, Let There Be Light, like its routinely under-appreciated 1946 fictional counterpart, The Best Years of Our Lives, remains essential viewing. Each of the films conveys a sense of compassion toward soldiers; the soldiers presented in these films don’t ask to be called heroes, they only want normalcy. Today’s returning soldiers surely feel the same, and yet their experiences on the battlefield are increasingly abnormal, even unknown, to most people they encounter upon returning.

Seven months after the War Department forcibly prevented Let There Be Light from premiering at New York City’s Museum of Modern Art, a disabled Army veteran named Harold Russell became the only man to win two Oscars for the same performance. Russell received the Academy Award for Best Supporting Actor and an Honorary Award for Nonprofessional aActing for his role as a returned soldier in The Best Years of Our Lives. William Wyler’s 168-minute drama concerns the homecomings of three soldiers, and it was showered with awards throughout the winter and spring of 1947, including a Best Picture Oscar and multiple Golden Globes and New York Film Critics Circle citations.

The Best Years of Our Lives and Let There Be Light aren’t cynical or judgmental of American society, but are quietly brave and emotionally devastating. Let There Be Light attempts to shield us with its preentation of hospital interiors that are clean, orderly and positively overstaffed. Nonetheless, the men and their stories are unforgettable. You finish watching the film feeling emotionally drained and deeply grateful that they won’t have to fight again.

To commemorate this past Memorial Day, the National Film Preservation Foundation premiered the film on its website and will run the film through the end of August.

A Soldier’s Heart: Let There Be Light

The Best Years of Our Lives

Read more about Let There Be Light in The Morning News here.

Please Share This:

Paths of Hate: The Destructive Fury of War

Paths of Hate is an animated ten-minute short film directed by Damian Nenow at Platige Image, which is in the running for a 2012 Oscar for animated short films. The film was named on a list of 10 films that was released last week by the Academy of Motion Picture Arts and Sciences; three to five nominees for the Oscar will be chosen from this list.

Paths of Hate contains stunning visuals that recreate a WWII-era aerial dogfight and presents a dynamic tale about the hatred that seems to be an indispensable element of human nature. Damien Nenow, a recent graduate of Poland’s Lodz Film School, has created a film of great visual power, which brilliantly shows the demons that slumber deep within the human soul and have the power to push people into the abyss of blind hate, fury and rage. The finale of the film introduces a surreal turn of events, which stands as the director’s bitter comment on the bloody destructive fury of war.

Paths of Hate: The Destructive Fury of War

Please Share This: